Analytical Practices in Western Music Theory: A Comparison and Mediation of Schenkerian and Post-Riemannian Traditions
Keywords:
Schenkerian analysis, functional analysis, Schenkerian theory, function theory, Funktionstheorie, funktionsteori, schenkeranalyse, Riemannian, post-Riemannian, music theory history, music theory, music analysis, harmonic analysis, analytical traditions, theoretical traditions, western music theorySynopsis
This dissertation is a study of two of the most influential traditions in 20th and 21st-century Western music theory: post-Riemannian function theory and Schenkerian theory, dominating in European and Anglo-American music scholarship, respectively. The purpose is to investigate, chart and provide a path beyond the antagonism that have long existed between these two music-theoretical and ‑analytical traditions. Divided into three main parts, the dissertation aims to achieve this purpose by providing 1) a thorough historical study of the theoretical traditions since Schenker and Riemann (with a special focus on the relatively uncharted territory of post-WWII history); 2) a comparison of theoretical assumptions and analytical practices prevailing in the respective traditions; and 3) a mediation between the two approaches to tonal music in the form of new analytical methods which combine Schenkerian and function-theoretical perspectives.
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